A singer marries a famous composer, and after a while she gets the itch to go back on the stage. However, her husband won't let her. When she hears that a popular French singer named "... See full summary »
Parysia is the rage of Paris. She has a daughter, secretly engaged to Andre, and the boy's aristocratic father objects to the alliance because of Margaret's mother being a revue artist. ... See full summary »
1932. The tyrannical and despotic government of President Machado has headed Cuba for seven years. The latest measure of that tyranny is the outlawing of public gatherings of more than four... See full summary »
This pseudobiographical movie depicts five years from 1885 on in the life of the Viennese psychologist Sigmund Freud (1856-1939). At this time, most of his colleagues refuse to cure ... See full summary »
Henri de Toulouse-Lautrec frequently visits the Moulin Rouge, where he drinks cognac and draws sketches of the dancers and singers. Though the son of a French count, Henri's legs were badly deformed by a childhood fall, and his personal life is often unhappy as a result. While he is going home one night, a spirited young woman of the streets, Marie, asks him for help. He falls in love with her, and the two become involved in a tumultuous relationship. It becomes increasingly difficult for Toulouse-Lautrec to balance his personal feelings, his artistic abilities, and his family name and position. Written by
Walking on his knees had the unfortunate side-effect of making José Ferrer six inches shorter than Henri Toulouse Lautrec's real height of 5'1". See more »
When Henri Lautrec arrives at the gallery for the showing of his pictures, as he 'walks' in, his shadow on the ground clearly shows Jose Ferrer's legs tucked behind him as he walks (on his knees). See more »
Huston's "Moulin Rouge" was nominated for seven Oscars and walked away with two trophies...
This romanticized treatment of the life of artist Henri Toulouse-Lautrec is literally one of the most colorful films ever made
All the hues and colors in the palette go whizzing by in the Parisian streets, country homes, and cabarets of the late 19th century Can-Can girls in reds and blues, against a misty brown-gold backdrop, flourish their silks and feathers in the face and soul of dwarfed painter who could recreate their essence on canvas, yet never possess them physically
It is the tragedy of Lautrec's (Jose Ferrer) life which bounces around the rainbow framework The cruel prostitute (Colette Marchand) to whom he gave his love and the young woman (Suzanne Flon) who befriended the artist motivate the narrative, from the crippling-fall in the home of his father to the death-fall in the dirty-looking saloon
Brilliant work by Ferrer, fine support by Marchand and Flon, and the gaiety of Zsa Zsa Gabor cap the film
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