The Harper brothers Charlie and Alan are almost opposites but form a great team. They have little in common except their dislike for their mundane, maternally cold and domineering mother, Evelyn. Alan, a compulsively neat chiropractor and control-freak, is thrown out by his manipulative wife Judith who nevertheless gets him to pay for everything and do most jobs in the house. Charlie is a freelance jingle composer and irresistible Cassanova who lives in a luxurious beach-house and rarely gets up before noon. Charlie "temporarily" allows Alan and his son Jake, a food-obsessed, lazy school kid who shuttles between his parents, to move in with them after Alan's separation/divorce. The sitcom revolves around their conflicting lifestyles, raising Jake (who has the efficient, caring dad while having a ball with his fun-loving sugar uncle who teaches him boyish things), and bantering with Evelyn and various other friends and family. Other fairly regular characters include Charlie's cleaning ... Written by
Charlie Lives! (syndication)
See more »
Did You Know?
From time to time, and usually during the Charlie Sheen
days, members of the old "brat pack" would make guest appearances on the show; for example, Judd Nelson
appeared as the ex-husband of Alan's girlfriend, also Emilio Estevez
and Martin Sheen
(Charlie's brother and father, respectively) have made appearances on different episodes, as well as Ally Sheedy. See more
You're angry and resentful. But what you need to understand is that resentment is the mortar that holds the bricks of loneliness together in a wall of alienation and despair. Chapter 3, Knocking Down the Wall.
Bite me. That's Chapter 1 in my forthcoming book entitled Bite Me. Chapter 2 is called Kiss My Pale White Ass.
The Chuck Lorre Productions vanity card at the end of each episode consists of the words "Chuck Lorre Productions", the vanity card number, and a short essay or mini screenplay that changes with each episode. Topics have included a riff on slang words that Lorre wants to coin, the reason a certain scene containing the line of dialog that was used as the episode's title was edited out, and a screenplay about Lorre's assistant entering his office and finding him curled up in the fetal position. See more
Referenced in The Hour: New Year's Special
Two and a Half Men Theme
Music and Lyrics by Grant Geissman
, Lee Aronsohn
and Chuck Lorre See more