A timeless story of human self-discovery and connection, Moonlight chronicles the life of a young black man from childhood to adulthood as he struggles to find his place in the world while growing up in a rough neighborhood of Miami.
WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people, and becomes the first man in American history to receive the Medal of Honor without firing a shot.
Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart. Written by
In the film, Ryan Gosling's character is referred to by other character's twice as a famous but deceased celebrity of 2016. Early in the film his sister calls him Ali, a reference to Muhammad Ali who died earlier June, 2016. Later, Mia yells out to him, calling him George Michael who died shortly after the film's release, on Christmas Day 2016. See more »
Stuck behind Mia in the opening traffic jam, Sebastian gets frustrated when she fails to drive on, and pulls around her, honking his horn. When seen from a different angle, there is a car immediately in front of Mia's Prius, so she couldn't have driven away. See more »
[to Greg, at the restaurant, as she gets up to leave]
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There is a title card at the very beginning that says "Filmed in Cinemascope." See more »
Writer/Director Damien Chazelle, who already had a nice career going for him, explodes into the Bigtime with this delightful, mesmerizing, and completely unexpected ode to Tinseltown.
The opening sequence (satirized on the Golden Globes) really does not do the rest of the film justice. It is as if the cast from the FAME remake grew up, had children of their own, and then those children hijacked the Santa Monica freeway to do a 10 minute flash-mob dance sequence.
From that point on, the film is hypnotic.
We segue to a love story as pure as anything since the great dramas of the 1940s. If the film had been in B&W, you would almost have expected to see Bette Davis in a 3-hankie tear jerker.
Except for the musical interludes, of course, which are pitch perfect and totally wonderful.
Gosling is surprising as a leading man expected to do song and dance, but he delivers the goods.
Stone, who was supposed to be "the next big thing" after Easy A (2010), steals the film and possibly the hearts of the audience as well. The awards should flow like water, and she will deserve every one.
As I said, deep in the DNA this is an ode to Hollywood. The film industry has always had issues with endings -- back in the day they would film several different endings per picture -- and then decide at the last minute which to use. Here Chazelle pays homage to that by giving us an alternate ending, along with the "real" ending, along with a closing sequence designed to remind everyone that nothing in Hollywood is actually real, but everything still can be really fun.
Destined to be a classic. Recommended.
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