7.6/10
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276 user 367 critic

Nocturnal Animals (2016)

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1:37 | Trailer

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In 1 theater near Northyork ON CA [change]

A wealthy art gallery owner is haunted by her ex-husband's novel, a violent thriller she interprets as a symbolic revenge tale.

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(screenplay), (novel)
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18 ( 5)
Nominated for 1 Oscar. Another 14 wins & 126 nominations. See more awards »

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Cast

Cast overview, first billed only:
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India Hastings
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Lou
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Turk
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Alessia
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Samantha Morrow
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Chloe
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Driver
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Storyline

A "story inside a story," in which the first part follows a woman named Susan who receives a book manuscript from her ex-husband, a man whom she left 20 years earlier, asking for her opinion. The second element follows the actual manuscript, called "Nocturnal Animals," which revolves around a man whose family vacation turns violent and deadly. It also continues to follow the story of Susan, who finds herself recalling her first marriage and confronting some dark truths about herself.

Plot Summary | Plot Synopsis

Taglines:

When you love someone you can't just throw it away

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, menace, graphic nudity, and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Language:

Release Date:

9 December 2016 (USA)  »

Also Known As:

Tony and Susan  »

Filming Locations:

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Box Office

Budget:

$22,500,000 (estimated)

Opening Weekend:

$492,648 (USA) (18 November 2016)

Gross:

$10,639,114 (USA) (20 January 2017)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Tom Ford personally groomed Aaron Taylor-Johnson's facial hair for his creepy Ray Marcus character. See more »

Quotes

Ray Marcus: You've should fucking kill me! You don't know nothing. It's fun to kill people. You, of all people should try sometime.
Tony Hastings: Fun? It's fun to kill people? Did you have fun killing my wife and daughter?
See more »

Connections

Featured in The 74th Golden Globe Awards (2017) See more »

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User Reviews

 
More style than substance?
13 November 2016 | by (United Kingdom) – See all my reviews

At the outset, i should make it clear that i don't think this is a bad film, but i felt the need to add a dissenting voice to the collection of positive reviews that i've read so far.

The film is an amalgamation of elements that should work beautifully, but ultimately resembles one of the sterile offerings to be found in Susan's gallery. The acting is superb throughout, and the nuanced performances of Amy Adams & Jake Gyllenhaal are worthy of their reputations. The subtle transitions from dead and lifeless to young and vibrant, exhibited by the former at various stages of the film, is one of the most striking features of the piece. The film is beautifully shot and well directed, and there are some truly moving scenes in parts. However, as one reviewer has already alluded to, the film feels like it is desperate to say something, but ultimately says very little. Perhaps i just didn't get it at all.

The problem i had was with a lack of emotional connection to either of the main protagonists. It's interesting to find out what happens to both as the film builds, but ultimately i didn't care either way.

My partner and i spent some time examining the film on the way home, discussing the parallels between the story at the heart of the film, and the realities that continue around it, but despite our rudimentary analysis of what each one meant for the other, and an understanding that there are some clever parallels, what remained was the underlying sense of "so what?".


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