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The story of Richard and Mildred Loving, an interracial couple, whose challenge of their anti-miscegenation arrest for their marriage in Virginia led to a legal battle that would end at the US Supreme Court.

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Nominated for 2 Golden Globes. Another 19 wins & 74 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Dean Mumford ...
Drag Race Driver
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Garnet
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Percy (as Chris R. Greene)
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Shotgun Shack Musician #1
Justin Robinson ...
Shotgun Shack Musician #2
Dennis Williams ...
Shotgun Shack Musician #3
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Bricklayer
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Rebecca Turner ...
Pregnant Girl
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Magistrate
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Storyline

The story of Richard and Mildred Loving, an interracial couple, whose challenge of their anti-miscegenation arrest for their marriage in Virginia led to a legal battle that would end at the US Supreme Court.

Plot Summary | Plot Synopsis

Taglines:

All love is created equal.


Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements | See all certifications »
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Details

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Release Date:

4 November 2016 (USA)  »

Also Known As:

Лавинг  »

Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend:

$159,615 (USA) (4 November 2016)

Gross:

$7,592,362 (USA) (6 January 2017)
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Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Jeff Nichols and Michael Shannon fifth film together. See more »

Goofs

In the final scene, Mildred asks the daughter to give a bottle of beer to Richard. However in the subsequent scenes he is drinking a bottle of cola. See more »

Quotes

[first lines]
Mildred: I'm pregnant.
Richard Loving: [long pause] Good. That's good.
See more »


Soundtracks

You Don't Miss Your Water
Written and Performed by William Bell
Published by Irving Music, Inc.
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
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User Reviews

 
Let them be
9 November 2016 | by (Dallas, Texas) – See all my reviews

Greetings again from the darkness. Imagine you are sound asleep in bed with your significant other. It's the middle of the night. Suddenly, the sheriff and his deputies crash through your bedroom door with pistols drawn and flashlights blinding you. You are both taken into custody. For most of us, this would be a terrible nightmare. For Mildred and Richard Loving, it was their reality in June of 1958. Their crime was not drug-dealing, child pornography, or treason. Their crime was marriage. Interracial marriage.

Writer/director Jeff Nichols (Mud, Take Shelter) proves again he has a distinct feel and sensitivity for the southern way. There is nothing showy about his style, and in fact, his storytelling is at its most effective in the small, intimate moments … he goes quiet where other filmmakers would go big. Rather than an overwrought political statement, Nichols keeps the focus on two people just trying to live their life together.

Joel Edgerton plays Richard Loving, a bricklayer and man of few words. Ruth Negga plays Mildred, a quietly wise and observant woman. Both are outstanding in delivering understated and sincere performances (expect Oscar chatter for Ms. Negga). These are country folks caught up in Virginia's Racial Integrity Act of 1924, though as Richard says, "we aren't bothering anyone". The counterpoint comes from the local Sheriff (an intimidating Martin Csokas) who claims to be enforcing "God's Law".

Nichols never strays far from the 2011 documentary The Loving Story from Nancy Buirski, who is a producer on this film. When the ACLU-assigned young (and green) lawyer Bernard Cohen (played with a dose of goofiness by Nick Kroll) gets involved, we see how the case hinges on public perception and changing social mores. Michael Shannon appears as the Life Magazine photographer who shot the iconic images of the couple at home … a spread that presented the Lovings not as an interracial couple, but rather as simply a normal married couple raising their kids.

In 1967, the Supreme Court decision in Loving v. Virginia, unanimously held Virginia's "Racial Integrity Act of 1924" as unconstitutional, putting an end to all miscegenation laws (interracial marriage was still illegal in 15 states at the time). In keeping with the film's direct approach, the Supreme Court case lacks any of the usual courtroom theatrics and is capped with a quietly received phone call to Mildred.

Beautiful camera work from cinematographer Adam Stone complements the spot on setting, costumes and cars which capture the look and feel of the era (over a 10 year period). Nichols forsakes the crowd-rallying moments or even the police brutality of today's headlines, but that doesn't mean there is any shortage of paranoia or constant concern. We feel the strain through these genuine people as though we are there with them. The simplicity of Richard and Mildred belies the complexity of the issue, and is summed up through the words of Mildred, "He took care of me."


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