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Three girls are kidnapped by a man with a diagnosed 23 distinct personalities, and must try and escape before the apparent emergence of a frightful new 24th.


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1 nomination. See more awards »



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Credited cast:
Dennis / Patricia / Hedwig / The Beast / Kevin Wendell Crumb / Barry / Orwell / Jade
Rest of cast listed alphabetically:
Casey's Father
Ameerah Briggs ...
Police Officer #1
Dr. Karen Fletcher
Five-Year-Old Casey (as Izzie Leigh Coffey)
Police Officer #2
Game Show Contestant (voice)
Jerome Gallman ...
Vince, Security Guard
Flower Kiosk Worker
Uncle John
Kevin's Mother
Mr. Benoit
Kate Jacoby ...
Dr. Fletcher's Patient
Robert Michael Kelly ...
Emlyn Morinelli Macfarland ...
Diner Waitress


When three girls are kidnapped by a man with 24 different personalities they have work out which of those personalities will help them escape and which of those personalities will will try to stop them. James McAvoy produces a master class performence playing the psychotic kidnapper and 24 roles. Written by jjmcmanusnbalshiite

Plot Summary | Plot Synopsis


Kevin has 23 distinct personalities. The 24th is about to be unleashed.


Horror | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for disturbing thematic content and behavior, violence and some language | See all certifications »

Parents Guide:





Release Date:

20 January 2017 (USA)  »

Also Known As:

Untitled M. Night Shyamalan Project  »

Box Office


$10,000,000 (estimated)

Opening Weekend:

$40,190,000 (USA) (20 January 2017)


$40,190,000 (USA) (20 January 2017)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


The first film directed by Shyamalan to use a different composer other than James Newton Howard since Wide Awake (1998). See more »


Dr. Fletcher: I've never seen a case like this before. Twenty three identities live in Kevin's body.
See more »


We Are Extraordinary
Written and Performed by Evgueni Galperine and Sacha Galperine
See more »

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User Reviews

Split: 23 Shades of Creepy
22 January 2017 | by (France) – See all my reviews

Think Room meets The Missing at 10 Cloverfield Lane. Having seen Split, it is a very good time to be a M. Night Shyamalan fan. Split might be M. Night Shyamalan most compellingly warped concoction to date its genre trappings, acting merely as gateway drugs to the altogether more insanely interesting thriller taking place in Kevin's head. Shyamalan puts all his trust in his audience as he sets up various story elements here and there that won't be fully understood till you have seen the full movie; we learn about characters and the big picture becomes so much more impactful afterwards.

The more we learn, the scarier McAvoy's character(s) starts to sound. Split goes all-in on McAvoy slipping from persona to persona, and luckily the man has the acting skills to do so. Indeed, James McAvoy might be one of the most underrated actors nowadays. I loved him in every movie he has done so far, he is excellent, insanely courageous, fully committed and it pays off. Every personality is specifically distinguishable just by his different vocal pattern and his mannerism. Nominate this man right now. This is the role of his career.

Usually, when a character talks to a shrink it is because the screenwriter couldn't find a more elegant way to weave in exposition. However with this film, despite being a horror-thriller, the most fascinating moments are the ones, McAvoy spends on Dr Fletcher's couch. Betty Buckley has an amazing character as she tries to cure Kevin. She shines and brings a lot to the proper film. Plus, Anya Taylor-Joy's character back story is beautiful and haunting. She was very impressive in The Witch and is even finer here as a deceptively docile captive whose passivity masks both intelligence and gumption. yet it would be foolish to suggest this is anything but McAvoy's movie.

Here's where I mention that Split resembles Psycho when the screenplay makes some riskier moves. Shyamalan's love of tricks is very much alive and well. He also hired the director of photography of It Follows and it really paid off because Split has some brilliant claustrophobic camera work, the lighting is superb, this is a great looking movie. the score is refreshingly subtle. Sometimes you won't even notice how it will be creeping into a scene, while slowly building an intense aura of dreadfulness.

Finally, I loved the ending, I won't spoil anything for you but you know I do love me some good ending. There's a neutron bomb dropped in the final scene that essentially reframes everything you just saw. It isn't a whopping reveal like the one in The Sixth Sense. For a movie nerd like me, it is extremely gratifying. For others, it will fly right over their heads and they will wonder why others in the audience are whispering, "Oh my God! NO WAY!". I am so genuinely excited by the ending of this movie, the implication it has and what it can mean for Shyamalan's fans, the future and what he can do with his career.

Overall, Split is a masterful blend of Hitchcock, horror and therapy session. The storytelling is amazingly brave because Night Shyamalan ultimately trusts his audience.

1 of 2 people found this review helpful.  Was this review helpful to you?

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